mr badger
Registered user
Brilliant. Between Giles, Adam and Mickey I've just crystllised something that's been giving me slight gip for ages. It's about understanding what your cue is for turning, rather than looking for that elusive turn in point.
I'm pretty sure that the secong of Mickey's artworks is how I ride on a 'good day', you know, when it all comes together. Interestingly, got commented on (unfavourably) by an, eh, well regarded local observer. Didn't have an allocated observer so relied on my previous training from Martin at HoppRider.
Examiner asked where I got my training as he spotted it wasn't 'orthodox' local IAM. Got high praise from him - he pointed out that the standards say use the most appropriate part of the road, not the extremes all the time.
I'm pretty sure that the secong of Mickey's artworks is how I ride on a 'good day', you know, when it all comes together. Interestingly, got commented on (unfavourably) by an, eh, well regarded local observer. Didn't have an allocated observer so relied on my previous training from Martin at HoppRider.
Examiner asked where I got my training as he spotted it wasn't 'orthodox' local IAM. Got high praise from him - he pointed out that the standards say use the most appropriate part of the road, not the extremes all the time.